Ten films, every one made from a web address
A URL goes in and a 30 to 60 second film comes out, cut to a 120 BPM grid and built to land with the sound off. Nothing below was shot, mocked up, or edited on a timeline.
checkoutpage.com · 00:30 · 120 bpm · 16:9 9:16 1:1 · silent
Every one of these began as a public web address. Press nothing. They are already playing, and the line under each is that company’s own headline, on screen, word for word.
govdash.com
“AI infrastructure to win government contracts”
attio.com
“Welcome to agentic revenue”
figma.com
“The intelligent canvas for infinite creativity”
resend.com
“Email for developers”
digimarc.com
“Digimarc solutions are the trust layer”
cal.com
“The better way to schedule your meetings”
framer.com
“The design agent from idea to launch”
linear.app
“Plan what to build. Ship without the noise.”
stripe.com
“Financial infrastructure to grow your revenue”
vercel.com
“Infrastructure that thinks”
Each ratio is rebuilt as its own layout with per-element substitutions, so a portrait cut is composed rather than cropped. Below is the Attio film, the same thirty seconds, three times.
16:9
9:16
1:1
Seven steps from a URL to a finished master. No timeline, no scrub bar, no editor. The same input gives back the same film, which is why a revision is a re-render rather than a new session.
1
Understand.
The site is captured into evidence and a brief is written. You see our read on your product before a single frame exists.
2
Message.
Forty words at most, seven to a line. The hook is legible by 3.0 seconds and every line traces back to something you already published.
3
Capture.
Your real logo vectors, your real palette, your real type files. Section plates and product clips lifted straight out of a browser.
4
Direct.
Shots chosen against a grammar. Cuts land on the half-second grid, and entrances start 0.10 seconds early so the cut lands on motion.
5
Render.
One paused timeline, seeked frame by frame. Deterministic, so the same input gives back the same film. Draft at 30 fps, master at 60.
6
Gates.
Check, line lint, proof, and a contact sheet pulled from the final encode. A gate that a defect walks through becomes a new gate.
7
Cutdowns.
9:16 and 1:1 are rebuilt as re-layouts with per-element substitutions, so a portrait cut is composed rather than cropped.
Send your product URL. We compose a film from your live site and send you a preview link. Thirty to sixty seconds, cut three ways. If it is not right, there is nothing to cancel.
No discovery call. The preview is the conversation. If you want twenty minutes first, say so in the email and we will send a link.